Here are 15 tips to successfully sight read. You can do it!

1. Practice sight reading. Pull out some music you’ve never played before each time you practice, especially in the weeks before an audition. Practice sight reading using the tips below as if you were actually in an audition setting, even in front of family or friends. If you experience stage fright or get anxiety when you audition or play for others, be sure to practice your audition (including sight reading) in front of a “mock” panel of judges.

2. Take a BRIEF moment to look over the entire passage. Glance over the whole piece to familiarize yourself with any dynamic markings, tempo changes, key changes, articulation markings, and the like.Don’t take too long doing this; you don’t want to keep the judges waiting. Try to look over the following details in less than 60 seconds.

3. Look at the key signature. First things first.Take note of any sharps or flats. Also glanceover the piece and take note of any accidentals.

4. Identify measures with lots of notes. Look for clusters of notes (or lots of black). These are spots that will most likely be the trickiest.

5. Identify measures with complex rhythms. Note dotted rhythms or clusters of sixteenth and eight notes. You will base your tempo on how quickly you think you can play the tricky passages.

6. Look at the tempo marking. If a passage is marked andante, largo, lento, or moderato, do NOT play it faster than it should be. Playing a piece quickly with the intention to show off will not impress the judges. In fact, you’re more likely to trip over challenging passages if you start playing too fast.

7. Start playing. Again, don’t keep the judges waiting too long. Go for it!

8. Take your time. Concerning the tempo, it is perfectly okay when sight reading to play the passage a little slower than you might in a real performance.

9. Keep a steady tempo . Don’t speed up or slow down. One of the most important things you can do is play the passage at a steady, consistent speed. This is something the judges are specifically looking for. Varying your tempo will give the judges the impression that you don’t have a solid sense of rhythm.

10. Read ahead. Play one measure as you’re look ahead the the next measure(s). “An experiment on sight reading using an eye tracker indicates that highly skilled musicians tend to look ahead further in the music, storing and processing the notes until they are played; this is referred to as the eye–hand span.”

11. Don’t sweat the bowings. Start with a down bow (unless otherwise marked) andtake it as it comes.

12. Don’t stop or repeat measures if you mess up. This is also something the judges look for specifically as you can’t stop and repeat measure in a real performance, especially with an accompanist or when playing in an orchestra. Forge ahead!

13. Don’t apologize or say, "Oops!" In fact, don’t say anything. Not even a disclaimer before you begin, like, “Oh, wow. Okay. This is probably going to sound really bad,but here goes!”

14. Stop playing when instructed. Always stop immediately when the judges say so. Usually they stop you to stay on schedule or because they’ve gotten a good impression of your playing abilities based on what you’ve already done.

15. And lastly, pat yourself on the back. It’s over! You did it! It’s as simple as that.